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DBX 160A Compressor Limiter & Shure SM57 Classic Instrument Bundle

£358.80 £299.00 (ex. vat)




DBX 160A & Shure SM57

  • DBX 160A & Shure SM57
  • DBX 160A
  • DBX 160A
  • DBX 160A Rear
  • Shure SM57
  • DBX 160A
  • DBX 160A

DBX 160A Compressor Limiter & Shure SM57 Classic Instrument Bundle

This bundle includes a DBX 160A compressor limiter and a Shure SM57 microphone. These are a perfect pair for a classic snare drum sound but also versatile enough for a wide range of instrument recording.

DBX 160A Classic Hard Knee Compressor Limiter

The DBX 160 range of compressors was, and still is, one of the classic go to compressors since the mid 70’s.  The latest version, the DBX 160A, is one of the most versatile compressors available, particularly for tracking.  Use it on Bass, Vocals, guitar, individual drums or use a pair via the stereo link for overheads. Also features a switchable OverEasy and Hard Knee compression curves for further flexibility.  Easy to understand operation, comprehensive metering and the excellent 160 sound. A classic compressor for modern use. 

The dbx 160 is a legendary family of compressor/limiters. The same classic sound, easy set-up and no compromise metering is now married to an improved signal path and stronger chassis design. The result is industry standard compressor/limiter which is digital-ready and road tough.

Featuring switch-selectable OverEasy® and Hard Knee compression curves along with extremely wide-ranging threshold, ratio and output controls, the dbx 160A is up to any task. True RMS level detection provides the most natural-sounding dynamics processing available, from subtle compression to "brick wall" peak limiting. Choose low ratios and OverEasy® compression to transparently smooth out fluctuating vocal and instrumental levels. Or use the 160A's Hard Knee compression and high ratios (up to and beyond :1 and over 60dB gain reduction) for bombproof protection against overload distortion in digital recording, P.A. systems and broadcast signals. The 160A is fully compatible with +4/-10dB and balanced/ unbalanced systems, and its electronically balanced output stage is an outstanding line driver for long cable runs (an output transformer is optional). The 19-segment, switchable input/ output LED metering can be easily calibrated to any operating level. 12-segment gain reduction LEDs provide precise analysis at a glance.

The dbx® 160A's unique "INFINITY +" inverse-compression mode actually decreases the audio output level below unity gain when the input exceeds threshold, a real lifesaver for correcting overbearing vocal choruses and controlling runaway house mix levels. A detector input can be used with an equalizer for de-essing sibilant vocals and selectively smoothing out boomy notes on acoustic guitar and bass. And two 160As can be stereo-coupled to process an entire mix or instruments mic'd in stereo, without shifting the left/right image. Its musical sound, easy operation and unequaled versatility made the original dbx® 160 a world standard. The 160A follows that tradition, while meeting the challenges of a digital world.ent in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the dbx 160A is for you.

DBX 160A Features

  • OverEasy® or classic hard knee compression with dbx's® ultra-musical program dependent attack and release times
  • Compression ratio variable from 1:1 through infinity :1 to negative compression
  • Precision dual RMS LED display monitors input or output and gain reduction over a wide range and calibrates for different operating levels
  • Over 60dB of gain reduction available
  • Exclusive Infinity+ compression allows negative compression
  • Independent balanced and unbalanced outputs can drive 600 loads to +24dBm simultaneously.
  • New floating balanced output stage drives any load
  • Optional output transformer capable
  • Strappable with another 160A for true RMS stereo summing operation

Shure SM57 - Dynamic Instrument Microphone

The Shure SM57 has probably recorded 90% of all snare drums and guitar amps in existence! It could be rightly called the "Swiss Army Knife" of modern music. The SM57 is the sound you hear on the radio - it's been used for decades to mic everything from snare drums to guitar amps to vocals, and just about everything else.

The Shure SM57 unidirectional dynamic microphone is exceptional for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise.

WHAT IS THE SM57 BEST SUITED TO?
It’s the most popular choice for a professional musician who wants to mic up their amplified or acoustic instrument such as a guitar amp or bass amp, saxophone, trumpet or drums. It is used on stages and in studios around the world. 

HOW DOES IT SOUND?
The contoured frequency response with its presence rise, helps the instrument cut better through the main mix. The extremely effective cardioid pickup pattern isolates the main sound source and will simply record what you point at it while rejecting sound from the rear.

Shure SM57 Features

  • Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
  • Professional-quality reproduction for drum, percussion, and instrument amplifier miking
  • Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
  • Pneumatic shock-mount system cuts down handling noise
  • Extremely durable under the heaviest use
  • Frequency response: 40 to 15,000 Hz

In The Box

  • Shure SM57LC
  • Swivel Stand Adapter (Part No: A25D)
  • Storage Bag (95C2313)
Manufacturer DBX
SKU SDBX160ASM57
Model DBX 160A Shure SM57
GTIN No

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DBX
DBX
DBX 160A Shure SM57
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