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Avid Pro Tools HD Native PCIe core + HD OMNI system bundle - Education

£2,771.16 £2,309.30 (ex. vat)

Avid Pro Tools HD Native PCIe core + HD OMNI system bundle

  • Avid Pro Tools HD Native PCIe core + HD OMNI system bundle
  • Avid Pro Tools HD Native PCIe core
  • Avid Pro Tools HD OMNI
  • Avid Pro Tools HD OMNI Rear

This Educational Avid Pro Tools HD Native System includes a HD Native Core card, a Pro Tools HD I/O Omni interface, Pro Tools HD Software, 12-foot DigiLink Mini cable and an iLok.

What is Pro Tools|HD Native?

ProTools|HD Native is a new generation of Pro Tools|HD system that enables you to compose, record, edit, and mix music and/or sound for picture—with great speed and ease. Consisting of an HD Native PCIe core card, Pro Tools HD software, and Pro Tools HD Series interface, Pro Tools|HD Native harnesses the power of your Mac or PC to deliver pristine sound, incredible performance, and the lowest latency of any host-based DAW.

Pro Tools HD Native Specs

  • Voices: 256
  • Audio tracks: 256/128/64    
  • Latency: 1.7 ms    
  • Instrument tracks: 128
  • MIDI tracks: 512
  • Aux tracks: 512
  • Busses: 256    
  • Channels of I/O: 64    
  • Automatic Delay Compensation (ADC): 16,383 samples    
  • Processing depth: 32-bit floating point    
  • Mixer depth: 64-bit floating point    

Experience high performance and reliability
Whether you’re tracking multiple inputs or mixing hundreds of tracks, Pro Tools|HD Native tightly integrates with your computer’s CPU to keep up with your project’s highest demands—without compromise. Choose the HD Native card if you have a PCIe-equipped Mac or PC.

Capture and play back with the highest quality conversion
Get pristine audio fidelity and clarity when you record and play back through a Pro Tools HD Series interface. These critically-acclaimed interfaces offer state-of-the-art A/D and D/A conversion, premium analog circuitry, high-quality/low-noise I/O, and meticulous designs to capture and reproduce the full, natural sound of your original source, so you hear all of the character and nuances that make it unique.

Get higher resolution sound and mix with more headroom
With Pro Tools|HD Native, you can create great sounding, studio-quality productions at up to 32-bit, 192 kHz audio resolution. And with 64-bit floating-point processing, you gain more headroom for your mix, enabling you to flex your creativity and maintain audio clarity—without fear of overloading the mix bus. So go ahead and pile on the plug-ins to get the sound you really want. 

Hear what you’ve been missing—without distracting latency
What happens when you combine best-in-class audio conversion with a high-speed Thunderbolt or PCIe throughput? You get a high-performance system that can handle whatever you throw at it, and the lowest possible latency for your sessions. That means you can monitor your performance in sync with the playback for easier, worry-free recording. 

Everything you need for professional music and audio production
With Pro Tools HD software included, you can compose, record, edit, sequence, and mix music and sound for picture with great speed and ease. Create complex compositions with the integrated Score Editor and MIDI production tools. Track sessions with extremely low latency. And gain inspiration and professional polish from over 75 included effects and virtual instruments. 

Expand your capabilities
With Pro Tools|HD Native, you gain the flexibility to customize your system for your needs now and in the future. Mix and match HD Series interfaces to work with up to 64 channels of I/O. Add sync capabilities for working with video. Take hands-on control of your mix with an Avid Pro Mixing console or control surface. And expand your sonic palette with a wide range of AAX and RTAS/AudioSuite plug-ins, virtual instruments, and software options available from Avid and other third-party audio developers.

Open up your workflow
Use the included Pro Tools HD software and you’ll maximize your productivity, efficiency, and creative potential, as well as gain unparalleled performance and control of Avid audio and video interfaces, control surfaces, and live sound systems. But you can also use your Pro Tools|HD Native hardware with other Core Audio- and ASIO-compatible DAW software such as Logic, Nuendo, Live, Cubase, Reason, and Fruity Loops—with support for 64 channels of I/O—opening up even more creative avenues.


Avid Pro Tools HD Omni

The Avid Pro Tools HD OMNI is an all-in-one professional preamp, I/O, and monitoring interface for Pro Tools|HD family systems. Capture pristine, high-resolution audio through premium mic preamps, connect your gear to a wide array of analog and digital I/O, and monitor your sessions in up to 7.1 surround - with ultra-low latency - all in one compact, cost-effective interface.

Avid Pro Tools HD OMNI Features

  • Pristine audio clarity and ultra-low latency through state-of- the-art A/D and D/A conversion
  • High-quality, low-noise analog I/O:
    • 2 premium, digitally controlled mic/DI preamps
    • 4 line inputs
    • 8 line outputs, with true analog gain
  • Versatile digital I/O, with sample rate conversion on all inputs:
    • 8 channels of ADAT I/O (supports S/MUX II and IV)
    • 4 line inputs
    • 8 line outputs, with true analog gain
  • Supports 4x8 analog audio streams, or 8x8 including digital
  • Route audio independently from Pro Tools with the 14-input persistent monitor mixer
  • Completely integrates with Pro Tools|HD for full routing, mixing, and monitoring control
  • Track hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiter
  • Hear your mixes in however many channels you need, from stereo to 7.1 surround
  • Improve communication while tracking with dedicated cue path
  • Keep things in sync with dedicated Word Clock and Loop Sync I/O
  • Compact 1U rack-mountable chassis
  • Connects to Pro Tools|HD through a DigiLink Mini connection (cable and adaptor included)

Track, mix, and monitor in one
No need to route signals through multiple interfaces—with HD OMNI, you can do everything in one single-space rack, so you save money and space. As the hub of any music studio, you can use HD OMNI to record high-quality instrument and vocal performances, while providing dedicated cue mixes for artists, and monitor the performance through a discrete mix. For post production, not only do you have overdub and Foley recording capabilities at your disposal, you can use HD OMNI to monitor mixes with up to 7.1 channels—and fold down mixes from 7.1 to almost any channel configuration subset.

Hear what you’ve been missing
Raising the bar on audio performance, HD OMNI features premium A/D and D/A converters, so you can achieve higher audio fidelity, extensive dynamic range, super-low jitter. and the absolute lowest possible latency in your sessions. You also get built-in sample rate conversion and a soft clip feature for worry-free performance. And using Curv, a new built-in soft-knee limiter that catches even the fastest transients, you can track hotter signals and be assured that any unexpected peaks in your input won’t put you in the red.

Full monitoring flexibility
Whether you want to listen in stereo or surround, monitor sound personally or set up a personal mix for someone else, or hear your work in headphones or on the big speakers, you can do it all with HD OMNI. Mix and monitor up to 7.1 surround (with fold down to stereo). Hear how your mix sounds on different speakers using the Main and ALT speaker selections. Set up an integrated cue mix for artists to monitor. Or isolate yourself with your own headphone mix. And if you don't feel like launching Pro Tools—or even turning on your computer—HD OMNI features a built-in, customizable, 14-input persistent monitor mixer, so you can continue to monitor external sources, such as keyboards, drum machines, and digital music players, independently from your recording setup.

Work with Pro Tools and more
HD OMNI and all other Pro Tools HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and control of your inputs, outputs, routing, and monitoring right from your Pro Tools software interface. You'll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface and Pro Tools|HD hardware with other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.

Avid Pro Tools HD OMNI Specifications

  • Analog Inputs: 4
  • Analog Outputs: 8
  • Mic / Instrument Inputs: 4 (2 simultaneous inputs at a time)
  • Mic Pre Gain: 65 dB
  • Headphone Output: 1
  • Monitoring Formats: 7.1, 7.0, 6.1, 6.0, 5.1, 5.0, QUAD, LCRS, LCR, 2.1, Stereo, Mono
  • Speaker Selection: 2 sets
  • Persistent Mixer: 14 input channels to 2 multichannel monitoring paths, each with its own fold-down configuration
  • AES/EBU I/O: 2 × 8
  • AES Single-Wire (192 kHz): Yes
  • S/PDIF I/O: 2
  • ADAT I/O: 8
  • S/MUX: S/MUX II and IV
  • Word Clock I/O: 1 In + 1 Out
  • Loop Sync I/O: 1 In + 1 Out
  • Curv: Yes
  • Soft Clip: Yes
  • Digital Interface: DigiLink Mini
  • Chassis: 1U rack-mountable chassis

Mic Inputs

  • Frequency Response: 20 Hz – 20 kHz (± .05 dB)
  • Gain Range: 65 dB
  • EIN: -128 dB
  • THD+N: -107 dB (0.00045%)
  • CMRR: -93 dB

Line Inputs 

  • Frequency Response: 20 Hz – 20 kHz (± .03 dB)
  • Dynamic Range: 118 dB (A-weighted)
  • THD+N: -111 dB (0.00028%)

Line Outputs

  • Frequency Response: 20 Hz – 20 kHz (± .03 dB)
  • Dynamic Range: 120 dB (A-weighted)
  • THD+N: -108 dB (0.00039%)
  • Line Output Level / Trim: +10 dBu or +24 dBu/-40dB to +10dB (0.1dB steps)

Headphone Outputs   

  • Frequency Response: 20 Hz – 20 kHz (± .03 dB)
  • Dynamic Range: 118 dB (A-weighted)
  • THD+N: -107 dB (0.00045%)
Manufacturer Avid
GTIN 0139359941389
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