T: 0151 707 4545

Avid Pro Tools HDX core system plus OMNI interface bundle - Education

£5,543.16 £4,619.30 (ex. vat)

Avid Pro Tools HDX core system plus OMNI interface bundle

  • Avid Pro Tools HDX core system plus OMNI interface bundle
  • Avid Pro Tools HDX Core Card
  • Avid Pro Tools HD Omni
  • Avid Pro Tools HD Omni Rear

Avid Pro Tools HDX core system plus OMNI interface bundle - Education

This Avid Pro Tools HDX System includes a HDX Core card, a Pro Tools HD Omni interface, Pro Tools HD Software, 12-foot DigiLink Mini cable and an iLok.

Avid Pro Tools HDX

Pro Tools HDX is the new generation of Pro Tools HD, providing more power, higher audio quality, and easier ways to record, edit, and mix the most demanding productions. Get more tracks, more headroom, and up to 5x more dedicated DSP power to tackle even the most massive music and post-production projects with the confidence that comes with guaranteed performance.

Mix bigger, better projects
With Pro Tools|HDX, you get up to 5x more power per card than Pro Tools|HD Accel, so you can focus on your mix—not your mixer—and do much more with less. Compare systems.
- Create bigger, more complex mixes with 4x more tracks (up to 768 voices)
- Double your ins and outs with up to 64 channels of I/O per card (up to 192 total)
- Handle large plug-in-heavy mixes easily with 4x more Automatic Delay Compensation

Get more headroom—less headaches
Pro Tools|HDX uses floating-point calculations for plug-in processing and mixing, enabling you to achieve the best sound quality possible, with the least effort.
- Record and mix in higher resolution (up to 32-bit, 192 kHz audio) and significantly greater dynamic range
- Let your mixes breathe with increased headroom, and eliminate clipping and obsessive gain staging
- Improve workflow and sonic parity between DSP-accelerated and native-based Pro Tools systems with the new AAX plug-in platform

The fastest workflows—yours
Pro Tools|HDX tightly integrates with Pro Tools HD software and your Mac or PC, giving you optimized performance from creation to completion.
- Get a highly responsive feel—even in your most complex projects—with RAM-cached record/playback and real-time fades (Watch Disk Cache Part 1 and Part 2 )
- Keep the channel routing in complex sessions in check easily with bus interrogation
- Work faster with pro-level tools, including Clip Gain (Watch the video ), advanced audio editing and automation, surround sound, and more
- Accelerate your recording, editing, and mixing with Avid Pro Mixing consoles, which offer unprecedented hands-on control
- Share even more with Media Composer and other AAF-compatible software with support for multichannel tracks, Clip Gain, and a 24-hour timeline

It's all about the sound
There’s a reason why more professionals trust the sound of Pro Tools than with any other DAW. Now you can get even higher fidelity audio with Pro Tools|HDX.
- Get better audio clarity and detail than ever before combining Pro Tools|HDX with any Pro Tools HD Series audio interface
- Compose music and polish mixes with over 75 high-quality virtual instruments, effects, and sound processing plug-ins
- Get the renowned sound of the coveted Avid System 5 console with the Avid Channel Strip plug-in

The versatility you need—now and in the future
As your needs or business grows, you can easily scale Pro Tools|HDX to handle whatever comes your way, and take advantage of unique features and workflows.
- Gain more tracks and power by simply adding another Pro Tools|HDX card to your system
- Mix and match Pro Tools HD Series interfaces to meet your needs, or use Pro Tools HD software standalone for on-the-go mixing
- Collaborate with Media Composer editors through AAF sharing or Satellite technology options

Software features

Attain the highest sound quality and performance
Because Pro Tools HD is designed and optimized to be part of an integrated hardware/software solution, you can capture audio in pristine clarity with near-zero latency. Even when mixing large, complex projects, you’ll experience uncompromised performance—on a Pro Tools|HDX DSPpowered system or on the host with Pro Tools|HD Native.

Record and edit with advanced audio tools
Solo tracks in PFL (pre-fader listen) or AFL (after-fader listen) mode. Work more efficiently when punching performances with TrackPunch and DestructivePunch. And enhance and speed up editing tasks with Continuous Scrolling, Scrub Trim tool, Replace Clip command, Time Compression and Expansion Edit to Timeline Selection command, field recorder workflows, and more.

Work more easily with video
Edit and mix sound for larger, more complex video productions, and display up to 64 video tracks in the timeline. Expand your post capabilities with advanced video features, including multiple video playlists and basic video editing tools. Share audio mixes with Media Composer editors (and vice versa) through AAF. Or integrate directly into the Media Composer workflow with the Video Satellite option, eliminating the need to render effects, transcode video, or copy files.

Mix in stereo or surround
With Pro Tools HD, you can mix in everything from mono up to 7.1 surround sound. Build up your sonic landscape and add movement to your mix with the built-in surround panner. Work with groups of tracks faster and easier with VCA Group mixing. And with advanced automation tools, you can tackle even the largest, most complex mixes with ease.

Avid Pro Tools HD Omni

The Avid Pro Tools HD OMNI is an all-in-one professional preamp, I/O, and monitoring interface for Pro Tools|HD family systems. Capture pristine, high-resolution audio through premium mic preamps, connect your gear to a wide array of analog and digital I/O, and monitor your sessions in up to 7.1 surround - with ultra-low latency - all in one compact, cost-effective interface.

Avid Pro Tools HD OMNI Features

  • Pristine audio clarity and ultra-low latency through state-of- the-art A/D and D/A conversion
  • High-quality, low-noise analog I/O:
    • 2 premium, digitally controlled mic/DI preamps
    • 4 line inputs
    • 8 line outputs, with true analog gain
  • Versatile digital I/O, with sample rate conversion on all inputs:
    • 8 channels of ADAT I/O (supports S/MUX II and IV)
    • 4 line inputs
    • 8 line outputs, with true analog gain
  • Supports 4x8 analog audio streams, or 8x8 including digital
  • Route audio independently from Pro Tools with the 14-input persistent monitor mixer
  • Completely integrates with Pro Tools|HD for full routing, mixing, and monitoring control
  • Track hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiter
  • Hear your mixes in however many channels you need, from stereo to 7.1 surround
  • Improve communication while tracking with dedicated cue path
  • Keep things in sync with dedicated Word Clock and Loop Sync I/O
  • Compact 1U rack-mountable chassis
  • Connects to Pro Tools|HD through a DigiLink Mini connection (cable and adaptor included)

Track, mix, and monitor in one
No need to route signals through multiple interfaces—with HD OMNI, you can do everything in one single-space rack, so you save money and space. As the hub of any music studio, you can use HD OMNI to record high-quality instrument and vocal performances, while providing dedicated cue mixes for artists, and monitor the performance through a discrete mix. For post production, not only do you have overdub and Foley recording capabilities at your disposal, you can use HD OMNI to monitor mixes with up to 7.1 channels—and fold down mixes from 7.1 to almost any channel configuration subset.

Hear what you’ve been missing
Raising the bar on audio performance, HD OMNI features premium A/D and D/A converters, so you can achieve higher audio fidelity, extensive dynamic range, super-low jitter. and the absolute lowest possible latency in your sessions. You also get built-in sample rate conversion and a soft clip feature for worry-free performance. And using Curv, a new built-in soft-knee limiter that catches even the fastest transients, you can track hotter signals and be assured that any unexpected peaks in your input won’t put you in the red.

Full monitoring flexibility
Whether you want to listen in stereo or surround, monitor sound personally or set up a personal mix for someone else, or hear your work in headphones or on the big speakers, you can do it all with HD OMNI. Mix and monitor up to 7.1 surround (with fold down to stereo). Hear how your mix sounds on different speakers using the Main and ALT speaker selections. Set up an integrated cue mix for artists to monitor. Or isolate yourself with your own headphone mix. And if you don't feel like launching Pro Tools—or even turning on your computer—HD OMNI features a built-in, customizable, 14-input persistent monitor mixer, so you can continue to monitor external sources, such as keyboards, drum machines, and digital music players, independently from your recording setup.

Work with Pro Tools and more
HD OMNI and all other Pro Tools HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and control of your inputs, outputs, routing, and monitoring right from your Pro Tools software interface. You'll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface and Pro Tools|HD hardware with other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.

Avid Pro Tools HD OMNI Specifications

  • Analog Inputs: 4
  • Analog Outputs: 8
  • Mic / Instrument Inputs: 4 (2 simultaneous inputs at a time)
  • Mic Pre Gain: 65 dB
  • Headphone Output: 1
  • Monitoring Formats: 7.1, 7.0, 6.1, 6.0, 5.1, 5.0, QUAD, LCRS, LCR, 2.1, Stereo, Mono
  • Speaker Selection: 2 sets
  • Persistent Mixer: 14 input channels to 2 multichannel monitoring paths, each with its own fold-down configuration
  • AES/EBU I/O: 2 × 8
  • AES Single-Wire (192 kHz): Yes
  • S/PDIF I/O: 2
  • ADAT I/O: 8
  • S/MUX: S/MUX II and IV
  • Word Clock I/O: 1 In + 1 Out
  • Loop Sync I/O: 1 In + 1 Out
  • Curv: Yes
  • Soft Clip: Yes
  • Digital Interface: DigiLink Mini
  • Chassis: 1U rack-mountable chassis

Mic Inputs

  • Frequency Response: 20 Hz – 20 kHz (± .05 dB)
  • Gain Range: 65 dB
  • EIN: -128 dB
  • THD+N: -107 dB (0.00045%)
  • CMRR: -93 dB

Line Inputs 

  • Frequency Response: 20 Hz – 20 kHz (± .03 dB)
  • Dynamic Range: 118 dB (A-weighted)
  • THD+N: -111 dB (0.00028%)

Line Outputs

  • Frequency Response: 20 Hz – 20 kHz (± .03 dB)
  • Dynamic Range: 120 dB (A-weighted)
  • THD+N: -108 dB (0.00039%)
  • Line Output Level / Trim: +10 dBu or +24 dBu/-40dB to +10dB (0.1dB steps)

Headphone Outputs   

  • Frequency Response: 20 Hz – 20 kHz (± .03 dB)
  • Dynamic Range: 118 dB (A-weighted)
  • THD+N: -107 dB (0.00045%)
Manufacturer Avid
Model Avid Pro Tools HDX Core Omni Education
Avid Pro Tools HDX Core Omni Education
Contact Us

Studiocare Professional Audio Ltd.

Unit 2, 56 Evans Road


L24 9PB

+44 (0) 151 707 4545
+44 (0) 845 345 8910

Opening Hours
Mon - Fri: 9:30 - 5:30
Sat - Sun: Closed

How To Find Us
Terms & Conditions
Returns Form
Repair Request
Studiocare on FacebookStudiocare on TwitterStudiocare on Google+” width=Studiocare on YoutubeStudiocare on Pintrest

© Copyright Studiocare Professional Audio Ltd. 2016